“We accept the love we think we deserve.”- Stephen Chbosky, The Perks of Being a Wallflower

The Love We Think We Deserve is a bold, thought-provoking show about people living with Borderline Personality Disorder, how they experience the world and the struggles they face. Around 1 one a 100 people live with BPD, yet it is one of the most stigmatized mental health conditions. Online searches will reinforce harmful stereotypes and the majority of articles advise you how to “spot borderlines” – and avoid them. Rosie Cappuccino writes in her book, ‘Talking About BPD’: “A couple of clicks reveal widespread derogatory attitudes towards the condition […] YouTube videos […] warn that people with BPD are […] impossible to connect with and incapable of love. […] for many people the risks of being deemed untrustworthy, incapable or even dangerous can be too high. […] Many people […] feel safer disclosing anything but BPD.” With this play, I aim to give an insight into what living with BPD feels like and contribute to breaking down the stigma, bit by bit.

“I am not the other. I am one of you. Speak about me as if I were in the room- because I am.”

 “We all know the story of Rapunzel... But what if I told you history has this story all wrong?"   

 This is not the fairytale you grew up with. I Call This One... Purple Rain is a bold, heartfelt reimagining of the Rapunzel myth — where the long-lost prince isn’t a knight in shining armour, but the Purple One himself: Prince Rogers Nelson. Told through monologue, memory, and music, this solo show explores identity, isolation, and the power of imagination in the face of silence. Inspired by real-life stories of stolen childhoods and the healing power of pop culture, it's a raw, funny, and moving letter to the past — and to Prince.

Written and Performed by: Rebecca Johnson

Producer: Khadija Hunter

A Shanghai dream wrapped in silk and rhythm. Tango in Silk tells the story of an East Asian woman arriving in the UK — her fear, tension, and cultural collision expressed through a fusion of Argentine tango and Chinese qipao style. A short but powerful journey of identity, movement, and transformation.

It's 1746 and Mary is desperately and dangerously single. Shunned for her smallpox scars, facing pressure from her dad and disdain from local suitors, Mary meets the charming Will Cranstoun and her heart trips.

Coco Cottam's BLANDY is a dark tale about pigs, poison and ruined princesses. Over sixty tense minutes, the experimental comic drama spans the true story of one of the most sensationalised murderers of eighteenth century Britain.

“Riotous, visceral and whip-smart” ★ ★ ★ ★ ★ Binge Fringe, 2025

It's 1746 and Mary is desperately and dangerously single. Shunned for her smallpox scars, facing pressure from her dad and disdain from local suitors, Mary meets the charming Will Cranstoun and her heart trips.

Coco Cottam's BLANDY is a dark tale about pigs, poison and ruined princesses. Over sixty tense minutes, the experimental comic drama spans the true story of one of the most sensationalised murderers of eighteenth century Britain.

“Riotous, visceral and whip-smart” ★ ★ ★ ★ ★ Binge Fringe, 2025

Experience the heartaches, laughs, and life-changing revelations in this emotionally charged production. This comedy drama follows Dan, a young man grappling with the sudden loss of his father, and the unexpected helping hand of Brandon, his polar-opposite and rather disliked friend. As Dan struggles with his grief, his girlfriend Alice harbours a life-changing secret. With their lives poised on the edge of new beginnings and unpredictable emotions, this play is a rollercoaster of joy, grief, and the power of unwanted friendship. 

I want you to think of the worst thing that you could imagine. Now worse. Now worse. Even worse than that.

Now read the title of this show again.

(We are going to have a great time together, no matter what reaction you just had. winks with both eyes)

The canteen is open. Long night ahead.
Everything ahead.

On the motorway, everyone is on their own private journey. But Maeve and Lucy exist on the side of it, working night shifts at a service station; a liminal, eerie place to stop for a coffee.

No one ever comes in.

When only one of the friends is given the gift of an extraterrestrial encounter, jealousy leads to a violent meltdown in friendship. A chiller night-drug piss play.

The canteen is open. Long night ahead.
Everything ahead.

On the motorway, everyone is on their own private journey. But Maeve and Lucy exist on the side of it, working night shifts at a service station; a liminal, eerie place to stop for a coffee.

No one ever comes in.

When only one of the friends is given the gift of an extraterrestrial encounter, jealousy leads to a violent meltdown in friendship. A chiller night-drug piss play.

Straight from another successful Fringe run, your favourite sketch comedy boyband is back with their greatest hits! Winners of the Derek Award for Best Sketch Show at the 2024 Fringe, The Leeds Tealights present 50 minutes of chart-topping, raucous sketch comedy. Fresh from critically acclaimed performances in Leeds, Durham, Oxford and Manchester, these veteran performers sing, dance and deliver non-stop sketch mayhem. They're the boyband of your dreams – you'll laugh, you'll cry (from laughter), and you'll want to crowd-surf.

The canteen is open. Long night ahead.
Everything ahead.

On the motorway, everyone is on their own private journey. But Maeve and Lucy exist on the side of it, working night shifts at a service station; a liminal, eerie place to stop for a coffee.

No one ever comes in.

When only one of the friends is given the gift of an extraterrestrial encounter, jealousy leads to a violent meltdown in friendship. A chiller night-drug piss play.

A Mind Full is the story of one man's healing journey, from chasing dopamine and dreams to moving into a Buddhist community and trying (badly) to meditate. Blending stand-up, storytelling and theatrical moments, A Mind Full explores what happens when a wide boy with ADHD and impulse issues goes full mindfulness. Along the way: spiritual bypassing, compulsive behaviour and the ongoing tension between craving peace and needing the spotlight. A raw, funny and painfully relatable look at what happens when you try to heal... and your brain has other plans.

Shortly after her appearances at the National Neurodiversity Shows, Into The Wild Festival and the Royal Festival Hall, join Sammi on an emotional rollercoaster ride as she blends poetry, comedy and narrative to tell stories of her crazy journey through life before a revelatory late diagnosis of autism, ADHD and OCD in her early 50s. Expect laughter and tears through the highs and the lows as a precocious Elvis-obsessed child, RAF officer, international businesswoman and concert photographer, before menopause and a mental health crash into the unknown. Discover why daily activities can be so difficult for neurodivergent people, learn fun facts through science and ponder on what it is means to be neurotypical.

There will be time for you to ask Sammi questions at the end of the performance.

Sammi Ford is an award-winning and published poet, keynote neurodiversity speaker and workshop leader.

“engaging and relatable life experiences, triumphs and challenges, in honest light which resonate with the audience and leave a lasting impression”

Shortly after her appearances at the National Neurodiversity Shows, Into The Wild Festival and the Royal Festival Hall, join Sammi on an emotional rollercoaster ride as she blends poetry, comedy and narrative to tell stories of her crazy journey through life before a revelatory late diagnosis of autism, ADHD and OCD in her early 50s. Expect laughter and tears through the highs and the lows as a precocious Elvis-obsessed child, RAF officer, international businesswoman and concert photographer, before menopause and a mental health crash into the unknown. Discover why daily activities can be so difficult for neurodivergent people, learn fun facts through science and ponder on what it is means to be neurotypical.

There will be time for you to ask Sammi questions at the end of the performance.

Sammi Ford is an award-winning and published poet, keynote neurodiversity speaker and workshop leader.

“engaging and relatable life experiences, triumphs and challenges, in honest light which resonate with the audience and leave a lasting impression”

Gothic Poetry by Candlelight, is a stunning new show from leading London poet Alice Benson. This one-hour performance promises a Gothic journey yet with many varied themes explored. 

The show is a masterful blend of original spoken word and evocative music, exploring the essential dance between darkness and light. Alice is an award-winning published author (Funny and Uplifting Tales), actress, West End dancer, and comedian (winner ITV’s Take the Mic) and has recently been awarded Fellowship of the Royal Society of Arts (FRSA).

Alice’s poems celebrate the characters that slip through the cracks of society: a Victorian prostitute, a street dweller, a care home resident with a secret. Themes include mental health struggles, mindfulness, nature and even some saucy comedy. 

Descended from writers E.F. Benson and Fredrich von Schiller, Alice masterfully weaves tales of shadow and light, offering a performance that is both hauntingly beautiful and profoundly moving. Don't miss this journey into the lyrical dark. For one hour, escape the modern world and enter a space of Gothic flickering shadows by candlelight, and powerful words and emotions. 

Book your tickets now for a truly unique theatrical experience. Alice's performances include BBC Radio London, Edinburgh Festival, Brighton Festival, Harrow Arts Centre, The Comedy Store Manchester."

"Please note this is a work in progress."

Inventive, physical and achingly human the play captures the millennial female zeitgeist. It comically explores life, pregnancy & parenthood and is a "must-see for anyone navigating the complexities of modern womanhood”.

Fin a freelance illustrator is working a zero-hour contract as a cycle courier, her free-spirited and unconventional approach to life at odds with the expectations of those around her. Her discovery in her late twenties that she is pregnant leads her to confront her own belief systems and examines the othering of expectant mothers. “Labuschagne is a whirlwind of energy and authenticity. An essential commentary on the modern female experience. An inspiring testament to resilience. For anyone who has ever felt at odds with expectations, or faced a life-altering decision.

This show is a profound, hilarious, and ultimately uplifting embrace” theatretoseelondon.

Presented by Untethered + Hinterland,
Written by Sam Holland-Bunyan & Genevieve Labuschagne,
Directed by Sam Holland-Bunyan,
Performed by Genevieve Labuschagne, Designed by Tabby Bunyan.

Fresh from an acclaimed run in Brighton, writer/director Nick Myles presents his latest show: a typically varied and surprising collection of five short plays exploring queer lives today.

It’s not about labels or choosing a letter to identify yourself with. Alphabet Rainbow is simply five slices of exceptional theatrical storytelling. There are laughs, high drama, politics, families of varying shapes, and relationships of all different shades.

Here you’ll meet characters including an unexpected twink, a principled lesbian and a grumpy bi guy, brought to life by a cast of superb actors in perfectly formed plays covering subjects from illicit sex to first love, the trauma of betrayal and the joy of hope.

The five plays featured are:

Knees – A terrified young man is running for his life. But what is he so frightened of, and is he somehow responsible for the danger he’s in?

Jamie – A comic mystery. Who is gorgeous Jamie, and how did he end up in Neil’s hotel room?

The Politics of Lisa – Idealistic lesbian Lisa charts her personal and political evolution alongside the rise of a certain Jeremy Corbyn, MP.

Unbelievably Happy – An anti-hero’s journey. Against all the evidence, grumpy bi guy Cole claims to be a born romantic.

Kitchen Tables – One man’s voyage from trauma to fulfilment. Sometimes it really does get better…

Reviews from Brighton Fringe Festival 2025:

“Stellar… beautifully crafted and performed. Queer theatre at its absolute best.”  ★★★★★ Voice Mag

“Incredibly well-honed scripts… Funny, heartwarming, shocking and most of all real.” Brighton & Hove News

“Excellent!!!” Nigel May, Brighton Gaydio

Tickets: £15  Duration: 1 hour   Age: 14+

Cast: Evan Emanuel, Neil James, Terry Diab, Matthew Hodson

Performed and Written by: Lily Maryon

Directed by: Holly Meechan

Orginal music by: Jack Drewry

Princess Sparkles is a professional princess for hire. Appearing at a five-year-old’s birthday party somewhere near you, she’s a little unstable, very available, and just that little bit too much… She's eager to share with children the joys of life through a Disney filter.

However, a tad flustered and running late, it appears more than her costume may be coming apart at the seams…

In Lily Maryon’s improv driven, character comedy feminist satire she portrays a complex and increasingly jaded performer, struggling to separate life from work. Transported to a chaotic but fun-filled birthday party the audience can expect a burst of high energy and interaction, with games, magic and stories galore, but beware .... this aint Elsa. 

There will be original music, comedy, improvised storytelling and audience interaction.

Sketch off Semi-Finalist 2024 

“Maryon showcases an impressive characterisation” - **** Culture fix for The Beast Will Rise. 

“Skilled Comedian” - Hampshire Chronicle 

“Princess Sparkles had me cackling - one of the most exciting new comedy acts I’ve seen in a while!” - Anna Thomas

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

After a sell-out run at the Lambeth Fringe and Edinburgh Fringe, Emily Layton brings her five-star debut solo hour to Etcetera Theatre – and it’s personal. Eating Satsumas in the Sun and Forgetting About Heartbreak is a bold, honest, and heart-warmingly raw spoken word journey through love, loss, motherhood, and the absurd beauty of wading through life’s chaos.
From writing poetry to impress a boy (don’t we all start somewhere?) to reclaiming her voice with unapologetic emotional clarity, Emily invites audiences to sit in the sun with her — and sometimes in the mess — as she unravels everything from the heartbreaks we whisper about to the small joys that save us.

Expect wit, tears, belly laughs, and solidarity in this “gutwrenching and heartwarming” (audience review) hour from an artist “fearlessly dissecting her own heart on stage.” It’s storytelling at its most honest, wrapped in poetry that’s both lived-in and luminous.
Praise for ‘Eating Satsumas in the Sun and Forgetting About Heartbreak’ at the Edinburgh Fringe 2025:
⋆⋆⋆⋆⋆ - “Open, honest, and raw” – Portbello Book Blog
⋆⋆⋆⋆ - “An hour of beautiful poetry, this is a hidden gem… Her writing is deeply hers, but also deeply holistic”

Audience reviews:
“Emily is simply sensational. Her work delivers a rare sense of power and conviction.”
“Sad, raw, and funny – but always incredibly honest.”
“An absolutely beautiful hour of art. Emily is warm, authentic, raw and highly talented. An hour listening to her work… will make you feel more than you could imagine.”
“A gritty and humorous performance.”
“Emily presents a show that is equal parts observed emotion and the human condition’s catharsis. I’d recommend seeing her in the same way a drowning person would recommend air.”

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

After a sell-out run at the Lambeth Fringe and Edinburgh Fringe, Emily Layton brings her five-star debut solo hour to Etcetera Theatre – and it’s personal. Eating Satsumas in the Sun and Forgetting About Heartbreak is a bold, honest, and heart-warmingly raw spoken word journey through love, loss, motherhood, and the absurd beauty of wading through life’s chaos.
From writing poetry to impress a boy (don’t we all start somewhere?) to reclaiming her voice with unapologetic emotional clarity, Emily invites audiences to sit in the sun with her — and sometimes in the mess — as she unravels everything from the heartbreaks we whisper about to the small joys that save us.

Expect wit, tears, belly laughs, and solidarity in this “gutwrenching and heartwarming” (audience review) hour from an artist “fearlessly dissecting her own heart on stage.” It’s storytelling at its most honest, wrapped in poetry that’s both lived-in and luminous.
Praise for ‘Eating Satsumas in the Sun and Forgetting About Heartbreak’ at the Edinburgh Fringe 2025:
⋆⋆⋆⋆⋆ - “Open, honest, and raw” – Portbello Book Blog
⋆⋆⋆⋆ - “An hour of beautiful poetry, this is a hidden gem… Her writing is deeply hers, but also deeply holistic”

Audience reviews:
“Emily is simply sensational. Her work delivers a rare sense of power and conviction.”
“Sad, raw, and funny – but always incredibly honest.”
“An absolutely beautiful hour of art. Emily is warm, authentic, raw and highly talented. An hour listening to her work… will make you feel more than you could imagine.”
“A gritty and humorous performance.”
“Emily presents a show that is equal parts observed emotion and the human condition’s catharsis. I’d recommend seeing her in the same way a drowning person would recommend air.”

Set in a theatre broom cupboard, next to the building’s only toilet, Destination: ‘Old Hag’ is possibly the world's first 'Situation-Operatic-Comedy'... so, come and join the Ladies of the Chorus* as they chart their ups and downs in the world of opera over one-act with humour, heart, and a sprinkling of live opera singing!

Destination: ‘Old Hag’ was created and written by Samantha Houston, Bridget Hardy and Penny Rossano. It stars Bridget Hardy, Penny Rossano and Samantha Houston – three opera singers with more years’ stage experience than they care to mention …

*There are only 3 Ladies due to budgetary constraints.

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

You need to get to know Maud, before you can really understand her. The year is 1848 and Maud is treading a thin line between a lonely life with her surgeon husband in the middle of London, or living out her days under the roof of a woman’s institution. Exploring the unspoken experience of the autistic women who never had the chance to speak, Maudlin is an intimate look at the dynamic between sane and mad, patient and doctor, actor and character, real and play, and offers a rare example of a lead neurodivergent character in the period drama canon. Maudlin is performed by a mere cast of three; tense and claustrophobic, it asks the question of how much has really changed for women? And eventually, by the end, you may feel you know Maud a little better.

Gothic Poetry by Candlelight, is a stunning new show from leading London poet Alice Benson. This one-hour performance promises a Gothic journey yet with many varied themes explored. 

The show is a masterful blend of original spoken word and evocative music, exploring the essential dance between darkness and light. Alice is an award-winning published author (Funny and Uplifting Tales), actress, West End dancer, and comedian (winner ITV’s Take the Mic) and has recently been awarded Fellowship of the Royal Society of Arts (FRSA).

Alice’s poems celebrate the characters that slip through the cracks of society: a Victorian prostitute, a street dweller, a care home resident with a secret. Themes include mental health struggles, mindfulness, nature and even some saucy comedy. 

Descended from writers E.F. Benson and Fredrich von Schiller, Alice masterfully weaves tales of shadow and light, offering a performance that is both hauntingly beautiful and profoundly moving. Don't miss this journey into the lyrical dark. For one hour, escape the modern world and enter a space of Gothic flickering shadows by candlelight, and powerful words and emotions. 

Book your tickets now for a truly unique theatrical experience. Alice's performances include BBC Radio London, Edinburgh Festival, Brighton Festival, Harrow Arts Centre, The Comedy Store Manchester."

"Please note this is a work in progress."

Her best friend has just been murdered and no one is doing a good enough job at making the killer pay for his crimes. So, Milly believes she has to take fate into her own hands, even if no one else agrees with her. Now if only the bus could actually be on time for once.

‘God Forgive Us, We Have Burnt A Saint’ is a play about girlhood, sainthood, and begging to be believed. An exploration into feminine strength and female volatility, this modern take on Joan of Arc follows her from humble beginnings in Domremy, to the historic siege at Orleans and being burnt at the stake in Rouen, finally letting her tell her story in her own words. Candid, explicit and current, 'God Forgive Us, We Have Burnt A Saint' retells one of the great stories of European history, through the rarely heard voice of its young heroine.

You need to get to know Maud, before you can really understand her. The year is 1848 and Maud is treading a thin line between a lonely life with her surgeon husband in the middle of London, or living out her days under the roof of a woman’s institution. Exploring the unspoken experience of the autistic women who never had the chance to speak, Maudlin is an intimate look at the dynamic between sane and mad, patient and doctor, actor and character, real and play, and offers a rare example of a lead neurodivergent character in the period drama canon. Maudlin is performed by a mere cast of three; tense and claustrophobic, it asks the question of how much has really changed for women? And eventually, by the end, you may feel you know Maud a little better.

Her best friend has just been murdered and no one is doing a good enough job at making the killer pay for his crimes. So, Milly believes she has to take fate into her own hands, even if no one else agrees with her. Now if only the bus could actually be on time for once.

You know that awkward moment when someone asks “But where are you really from?” and you’re trying to decide whether to educate them, ignore them, or throw your samosa at their face?

Bold Brown British is an hour of poetry and real talk — from poet Quarina Sultana, whose debut collection Samosas & Mimosas serves up cultural confusion with a splash of sass. This is spoken word for anyone who’s ever hovered between worlds, rewritten their name at Starbucks, or juggled heritage, home life, and a hella lot of opinions.

Expect poems that shimmy between the sacred and the ridiculous — aunties, ancestors, activism, and the audacity of being brown, British, and gloriously in-between. It’s heartfelt, hilarious, and just the right amount of spicy.

One mic. One hour. A whole lot of opinions.

This is a Rehearsed Reading of Phoebe Noble's work in progress play: The Lining. 

The Lining’ follows a family as they try to find a diagnosis for their youngest daughter's undiagnosed pelvic pain. The play flips between 1600’s and modern day to highlight how little progress has been made and how flawed Gendered Healthcare is.

Phoebe is also an ambassador for the END01000 research project from The University of Edinburgh and suffers herself with Pelvic Congestion Syndrome and Endometriosis. 

Cast includes: 

Sam Daltry

Emily Rayner

Phoebe Noble

Olivia Lawrence

What do you do when your ex-situationship appears after six years in prison for killing her sister’s husband? You invite her and all your friends over and hope for the best, right? Sunk Into the Earth opens to reveal a cozy get-together with a tight-knit group of friends, properly enjoying their weekly pizza-and-wine-night, until we discover that one of the group has just been released from prison for murdering her sister’s abusive husband. As the play unfolds, the characters grapple with their relationships and complex history with one another, prompting deeper thought on the devastating impacts of domestic violence, the uniqueness of female friendships, and the intricacies of queer relationships. A love story set against the violent backdrop of an unspeakable act of sisterly devotion, Sunk Into the Earth is deeply honest in confronting the abyss inside us all. Jagged and tender, dark and light, the play investigates just how far we’ll go for the deep bonds that connect and entangle us.

It’s the return of SKETCHBURN: the sketches of tomorrow, today!

(And by ‘today’, I mean 'Wednesday, 17th September’.)

A ragtag group of comedy writers, performers and ne’er-do-wells present works-in-progress of their latest sketch comedy films. The aim: to bring the feedback loop of live comedy to filmed comedy sketches, at every stage of the process:

• 📚 The Readings: staged readings of brand-new sketch scripts

• 🎬 The Rough Cuts: screenings of rough cuts fresh from the edit

• 🍿 The Showcase: screenings of finished sketches, ready to go

As well as listening out for what makes you laugh, there’ll be space for more direct feedback too – so you can help us decide which bits to keep and which bits to burn forever.

So if you’re a fellow comedy creator who loves dissecting the metaphorical frog, or a comedy fan who wants to peek behind the metaphorical curtain, then SKETCHBURN is the (non-metaphorical) night for you!

(And if you want to skip the booking fee, you can call the box office directly: 020 7482 4857)

What do you do when your ex-situationship appears after six years in prison for killing her sister’s husband? You invite her and all your friends over and hope for the best, right? Sunk Into the Earth opens to reveal a cozy get-together with a tight-knit group of friends, properly enjoying their weekly pizza-and-wine-night, until we discover that one of the group has just been released from prison for murdering her sister’s abusive husband. As the play unfolds, the characters grapple with their relationships and complex history with one another, prompting deeper thought on the devastating impacts of domestic violence, the uniqueness of female friendships, and the intricacies of queer relationships. A love story set against the violent backdrop of an unspeakable act of sisterly devotion, Sunk Into the Earth is deeply honest in confronting the abyss inside us all. Jagged and tender, dark and light, the play investigates just how far we’ll go for the deep bonds that connect and entangle us.

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

What do you do when your ex-situationship appears after six years in prison for killing her sister’s husband? You invite her and all your friends over and hope for the best, right? Sunk Into the Earth opens to reveal a cozy get-together with a tight-knit group of friends, properly enjoying their weekly pizza-and-wine-night, until we discover that one of the group has just been released from prison for murdering her sister’s abusive husband. As the play unfolds, the characters grapple with their relationships and complex history with one another, prompting deeper thought on the devastating impacts of domestic violence, the uniqueness of female friendships, and the intricacies of queer relationships. A love story set against the violent backdrop of an unspeakable act of sisterly devotion, Sunk Into the Earth is deeply honest in confronting the abyss inside us all. Jagged and tender, dark and light, the play investigates just how far we’ll go for the deep bonds that connect and entangle us.

Imagine a woman born in 1809, a servant, who would not have been documented at all except for the extraordinary circumstances into which she was born. The cook has a daughter – Hen, but on the same day in the same house is born a boy: the extraordinary Charles Darwin! Their lives become entwined.

 We meet Hen, played by Olivia Post “both enormously affecting and a shapeshifting narrator” when she has had enough of the mess and the carcasses, the flesh eating plants and the pinned butterflies. Watch Hen dishing the dirt on the Darwins and finding her own way as the world for Victorian women begins to change.

 Written by Saskia Wesnigk-Wood, this one woman show has been described by FringeReview as "quietly groundbreaking work, with real potential".

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

What do you do when your ex-situationship appears after six years in prison for killing her sister’s husband? You invite her and all your friends over and hope for the best, right? Sunk Into the Earth opens to reveal a cozy get-together with a tight-knit group of friends, properly enjoying their weekly pizza-and-wine-night, until we discover that one of the group has just been released from prison for murdering her sister’s abusive husband. As the play unfolds, the characters grapple with their relationships and complex history with one another, prompting deeper thought on the devastating impacts of domestic violence, the uniqueness of female friendships, and the intricacies of queer relationships. A love story set against the violent backdrop of an unspeakable act of sisterly devotion, Sunk Into the Earth is deeply honest in confronting the abyss inside us all. Jagged and tender, dark and light, the play investigates just how far we’ll go for the deep bonds that connect and entangle us.

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Written by Goldie Majtas

 There is a really beautiful thing about female friendship. It’s messy and bitchy and hard at times but it’s all worth it because of the amount of fun and love you gain from it. You're in your own world together, speaking the same language, one which most other people don’t understand.

  You can feel everything that person feels and even with a slight change in expression you know exactly what they are thinking. 

Dancing in the kitchen before a night out is a ritual that sets you off with confidence and excitement. Sitting hungover in the living room watching shit TV and reminiscing over the night before is a practice done too often, but always makes that pounding head feel a little lighter. 

And knowing that you can go to them, in a moment of sadness whether it be a genuine tragedy or something minuscule you have cried over millions of times knowing that they will always listen, and be there for you to try and make you feel better. Those are the moments and feelings I cherish and want to immortalise. And that is RANK.

What started while waiting at a taxi rank, became a love letter to my best friends, and how much better the world is with them in it. It also has a subplot about a cat and stuff, but you’ll have to come to see it to find out what happens there!

 Strong language and adult themes throughout.

 OFFICIAL MADE IN SUSSEX SELECTION 2025

 ‘I loved it. I wasn’t the only one – there was a standing ovation from the Ironworks audience at the end. Certainly one to watch out for – try to catch it if you can’. 

MUST SEE SHOW 

Strat Mastoris, Fringe Review 

 ‘Rank is a fun-filled hour of exciting new material that augurs well for the writing

future of Majtas.’

★★★★ Richard Beck, Broadway Baby

 ‘Fresh, raw, energetic, bold, and extremely funny.’

Susanne Crosby, Brighton Source

 ‘Five out of five stars, this quirky, honest, brilliantly acted and directed piece brought back my faith in Brighton Fringe’

Andy Issac, Support Local

….She was told she was quiet all her life
….then Mahala Roberts
….hit the menopause
….and discovered her rather LOUD expressive voice
….now….no one can shut her up

Come and feel the power of that voice and witness her creative explosion, through a collection of scintillating sketches and punchy poems that will tickle your fancies and form a glow worm around your heart. Themes include cringing, dung beetles, crocodiles and so much more.
Come along and feel the lurve.

Daisy lives in a field. Of course she does, she’s a daisy. But while the rest of the daisies close their petals and slumber, Daisy dreams of the stars. Pulling millions of years of Earth magic through her roots, she wonders what life is like among them. Until she is picked for an adventure that doesn’t quite yield the answers she craves. 

Inspired by recent events, women astronauts and the magic of the stars, the new age of Tripped Theatre brings you their latest offering as a work in progress, with a little music to soothe the journey. 

From award winning writer Chloe Yates, this piece invites you to welcome your rage, learn the wisdom of the little things and ask what on Earth is really going on. Starring Beth Watson, and directed by Tripped Theatre’s Artistic Director, Georgia Leanne Harris.

There are four colour classes: Primary, Secondary, Tertiary and Devoid. And absolutely no one wants to be devoid but unfortunately for Darren that's what he wakes up as on his 21st birthday. How will Darren and his community adjust to this? Can Darren do the necessary work to take accountability and right his past wrongs? A story of love, community, betrayal and deceit and how trying to fix your mistakes is never an easy feat.

Daisy lives in a field. Of course she does, she’s a daisy. But while the rest of the daisies close their petals and slumber, Daisy dreams of the stars. Pulling millions of years of Earth magic through her roots, she wonders what life is like among them. Until she is picked for an adventure that doesn’t quite yield the answers she craves. 

Inspired by recent events, women astronauts and the magic of the stars, the new age of Tripped Theatre brings you their latest offering as a work in progress, with a little music to soothe the journey. 

From award winning writer Chloe Yates, this piece invites you to welcome your rage, learn the wisdom of the little things and ask what on Earth is really going on. Starring Beth Watson, and directed by Tripped Theatre’s Artistic Director, Georgia Leanne Harris.

You know that awkward moment when someone asks “But where are you really from?” and you’re trying to decide whether to educate them, ignore them, or throw your samosa at their face?

Bold Brown British is an hour of poetry and real talk — from poet Quarina Sultana, whose debut collection Samosas & Mimosas serves up cultural confusion with a splash of sass. This is spoken word for anyone who’s ever hovered between worlds, rewritten their name at Starbucks, or juggled heritage, home life, and a hella lot of opinions.

Expect poems that shimmy between the sacred and the ridiculous — aunties, ancestors, activism, and the audacity of being brown, British, and gloriously in-between. It’s heartfelt, hilarious, and just the right amount of spicy.

One mic. One hour. A whole lot of opinions.

A group of friends rally around one of their own as he experiences unimaginable grief. But Syd loves Silas, Rob loves Yara, Yara is weary and Cal is hurting. And there’s something strange going on in the background of Silas’ photographs. Coming from a sold out run at the Fitzpatrick Theatre in Cambridge, The Healing Room is a tragicomedy exploring the intersection of grief, sex, intimacy and art.

16+ - Contains distressing themes, strong language & mild intimacy

Step into a world of mind-bending illusion and sophisticated misdirection as award winning magician Oliver Ward brings his acclaimed stage show back to Camden. This reinvented show is not your standard magic show. He gets booked all over the world and this is your chance to see a glimpse of what Oliver can do! 

 Known for holding the record for the "quickest hands in the world", Oliver blends sleight of hand mastery with high impact psychological magic, pushing the boundaries of what your mind believes is possible. 

 Expect an evening that is equal parts elegance, intelligence and astonishment: unpredictable routines, carefully structure to challenge perception and provoke conversation long after the final bow. Whether you're intrigued by mental feats, elegant card magic or psychological surprises, Oliver offers an experience that reaches beyond typical entertainment.

 Prepare to question reality - and maybe even believe in something stronger than coincidence.

You know that awkward moment when someone asks “But where are you really from?” and you’re trying to decide whether to educate them, ignore them, or throw your samosa at their face?

Bold Brown British is an hour of poetry and real talk — from poet Quarina Sultana, whose debut collection Samosas & Mimosas serves up cultural confusion with a splash of sass. This is spoken word for anyone who’s ever hovered between worlds, rewritten their name at Starbucks, or juggled heritage, home life, and a hella lot of opinions.

Expect poems that shimmy between the sacred and the ridiculous — aunties, ancestors, activism, and the audacity of being brown, British, and gloriously in-between. It’s heartfelt, hilarious, and just the right amount of spicy.

One mic. One hour. A whole lot of opinions.

A group of friends rally around one of their own as he experiences unimaginable grief. But Syd loves Silas, Rob loves Yara, Yara is weary and Cal is hurting. And there’s something strange going on in the background of Silas’ photographs. Coming from a sold out run at the Fitzpatrick Theatre in Cambridge, The Healing Room is a tragicomedy exploring the intersection of grief, sex, intimacy and art.

16+ - Contains distressing themes, strong language & mild intimacy

Because We Said We Would is set in a white board world where the scenes and additional characters are drawn throughout.

Follow Jeanie and Tam from the age of seven as they bond over Queen and cassette tapes, making a pact to meet every 5 years, same time, same place. They grow up through changing music scenes, schoolyard taunts and dreams of rock stardom, where their bond deepens into something that defies easy definition and a childhood promise leads to a lifelong connection. But not everyone’s song plays out the same…

This is a dynamic, working-class story of friendship and music, tracing decades of love, loss, and loyalty that unfolds with humour and heart.

Team:
Writer: Helen Fox
Director: Ellie J Stevens
Technical Operator: Rowan Crawford
Actors: Codge Crawford & Helen Fox
(Content Warning- some swearing, reference to SA & suicide)

Between goodbye and hello, three characters wave from different shores as time and realities clash and mix in the messy palette of life, loss, and identity.

An artist fêted for her talent is no longer the woman her children recognise. Confronted by her decline, whose expectations do they live up to? 

A group of friends rally around one of their own as he experiences unimaginable grief. But Syd loves Silas, Rob loves Yara, Yara is weary and Cal is hurting. And there’s something strange going on in the background of Silas’ photographs. Coming from a sold out run at the Fitzpatrick Theatre in Cambridge, The Healing Room is a tragicomedy exploring the intersection of grief, sex, intimacy and art.

16+ - Contains distressing themes, strong language & mild intimacy

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Because We Said We Would is set in a white board world where the scenes and additional characters are drawn throughout.

Follow Jeanie and Tam from the age of seven as they bond over Queen and cassette tapes, making a pact to meet every 5 years, same time, same place. They grow up through changing music scenes, schoolyard taunts and dreams of rock stardom, where their bond deepens into something that defies easy definition and a childhood promise leads to a lifelong connection. But not everyone’s song plays out the same…

This is a dynamic, working-class story of friendship and music, tracing decades of love, loss, and loyalty that unfolds with humour and heart.

Team:
Writer: Helen Fox
Director: Ellie J Stevens
Technical Operator: Rowan Crawford
Actors: Codge Crawford & Helen Fox
(Content Warning- some swearing, reference to SA & suicide)

Between goodbye and hello, three characters wave from different shores as time and realities clash and mix in the messy palette of life, loss, and identity.

Because We Said We Would is set in a white board world where the scenes and additional characters are drawn throughout.

Follow Jeanie and Tam from the age of seven as they bond over Queen and cassette tapes, making a pact to meet every 5 years, same time, same place. They grow up through changing music scenes, schoolyard taunts and dreams of rock stardom, where their bond deepens into something that defies easy definition and a childhood promise leads to a lifelong connection. But not everyone’s song plays out the same…

This is a dynamic, working-class story of friendship and music, tracing decades of love, loss, and loyalty that unfolds with humour and heart.

Team:
Writer: Helen Fox
Director: Ellie J Stevens
Technical Operator: Rowan Crawford
Actors: Codge Crawford & Helen Fox
(Content Warning- some swearing, reference to SA & suicide)

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Leilani, a lone traveller, seeks sanctuary on a distant island in the Caribbean. Things take an unexpected turn when she encounters a single enigmatic resident with a hidden motive. What begins as a fragile connection slowly becomes something darker and more consuming, pulling Leilani deeper into the unforgiving nature of the island.

An atmospheric horror-thriller, that begs the question, will she find peace, or lose herself to the unknown?

Because We Said We Would is set in a white board world where the scenes and additional characters are drawn throughout.

Follow Jeanie and Tam from the age of seven as they bond over Queen and cassette tapes, making a pact to meet every 5 years, same time, same place. They grow up through changing music scenes, schoolyard taunts and dreams of rock stardom, where their bond deepens into something that defies easy definition and a childhood promise leads to a lifelong connection. But not everyone’s song plays out the same…

This is a dynamic, working-class story of friendship and music, tracing decades of love, loss, and loyalty that unfolds with humour and heart.

Team:
Writer: Helen Fox
Director: Ellie J Stevens
Technical Operator: Rowan Crawford
Actors: Codge Crawford & Helen Fox
(Content Warning- some swearing, reference to SA & suicide)

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

NAZERETH LOVE JONES LIVE

Between goodbye and hello, three characters wave from different shores as time and realities clash and mix in the messy palette of life, loss, and identity.

Girls on Fire follows the story of Hannie Schaft and Freddie and Truus Oversteegen, three young women who were fundamental in the Dutch resistance during World War Two. As a trio, they seduced and killed civilian traitors and Nazi soldiers, posing as ‘Moffen girls’ to gain the soldiers’ trust and lead them into the woods, where the executions took place. Girls on Fire follows the girls' journey, from their first meetings, through their time in the war, up until Hannie Schaft's execution in 1945, just weeks before the end of the war in the Netherlands. Using folksong and physical theatre to enhance the story-telling, this multidisciplinary piece challenges the audiences’ perceptions of conflict and morality, serving as a reminder of the timeless evidence of violence, war and those who rise against it.

Jamie brings Sophie back to his room.

Sophie wants to talk, Jamie wants to sleep

Sophie wants to crawl inside her skin, Jamie wants a gentle intimacy

Sophie wants to feel something, Jamie wants to run away

"How do you know that you're not?"

A collision of Horror, Drag & Experimental Theatre, "TUCK!" attempts to unpick the mess that is "being human", exploding our deepest, darkest thoughts about gender & bodies onto the stage for the world to see. 

The question is, are you ready to be Tucked?...

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Jamie brings Sophie back to his room.

Sophie wants to talk, Jamie wants to sleep

Sophie wants to crawl inside her skin, Jamie wants a gentle intimacy

Sophie wants to feel something, Jamie wants to run away

"How do you know that you're not?"

A collision of Horror, Drag & Experimental Theatre, "TUCK!" attempts to unpick the mess that is "being human", exploding our deepest, darkest thoughts about gender & bodies onto the stage for the world to see. 

The question is, are you ready to be Tucked?...

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Jamie brings Sophie back to his room.

Sophie wants to talk, Jamie wants to sleep

Sophie wants to crawl inside her skin, Jamie wants a gentle intimacy

Sophie wants to feel something, Jamie wants to run away

"How do you know that you're not?"

A collision of Horror, Drag & Experimental Theatre, "TUCK!" attempts to unpick the mess that is "being human", exploding our deepest, darkest thoughts about gender & bodies onto the stage for the world to see. 

The question is, are you ready to be Tucked?...

You know those souvenir shops that are packed full of weird mementoes like Big Ben teapots and Paddington Bears dressed as beefeaters? Gemma’s sister Ruth was once hired as a manager in one of those shops. But something was odd about it right from the start. The whole thing turned out to be a money laundering front. And when honest upstanding Ruth discovered the truth she and her staff found themselves in grave danger. Join Gemma as she explains the strange twists and turns in this story about her sister that’s definitely true. 

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Leilani, a lone traveller, seeks sanctuary on a distant island in the Caribbean. Things take an unexpected turn when she encounters a single enigmatic resident with a hidden motive. What begins as a fragile connection slowly becomes something darker and more consuming, pulling Leilani deeper into the unforgiving nature of the island.

An atmospheric horror-thriller, that begs the question, will she find peace, or lose herself to the unknown?

49 and 64 are in the room. They cannot see each other but they can talk and pass notes. All they have is questions. Who are they? Where are they? What is going on? And why? And who is J Doe? And why are they watching them?

Leilani, a lone traveller, seeks sanctuary on a distant island in the Caribbean. Things take an unexpected turn when she encounters a single enigmatic resident with a hidden motive. What begins as a fragile connection slowly becomes something darker and more consuming, pulling Leilani deeper into the unforgiving nature of the island.

An atmospheric horror-thriller, that begs the question, will she find peace, or lose herself to the unknown?

49 and 64 are in the room. They cannot see each other but they can talk and pass notes. All they have is questions. Who are they? Where are they? What is going on? And why? And who is J Doe? And why are they watching them?

49 and 64 are in the room. They cannot see each other but they can talk and pass notes. All they have is questions. Who are they? Where are they? What is going on? And why? And who is J Doe? And why are they watching them?

‘Silent Approach’

written by Caroline Lamb / directed by Helen Parry

A one-act play based on real events.

When the treatment received in a secure unit would be considered assault in the outside world, can we really call it care? 

In 2007, Rebecca House was a serving police officer with the Lancashire Constabulary. In the midst of a severe mental health breakdown, during which she tried to end her own life, she was arrested by her own colleagues in her own home.

She was then sectioned under The Mental Health Act with her parents tirelessly campaigning for her release.

Silent Approach, based on Rebecca’s book, Police To Paranoia, is the theatrical re-telling of her arrest, detainment, and her experiences at the hands of the professionals whose actions and decisions were to shape her future life and health

Content warning: Mental health struggles (paranoia, psychosis, depression), ableism, descriptions of death, suicide, depictions of violence, strong language 

(Through her Lancashire-based organisation S.I.S. Strength In Struggles, Rebecca works tirelessly to provide fee-free alternative therapies to those struggling with their mental health.)

49 and 64 are in the room. They cannot see each other but they can talk and pass notes. All they have is questions. Who are they? Where are they? What is going on? And why? And who is J Doe? And why are they watching them?

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

‘Silent Approach’

written by Caroline Lamb / directed by Helen Parry

A one-act play based on real events.

When the treatment received in a secure unit would be considered assault in the outside world, can we really call it care? 

In 2007, Rebecca House was a serving police officer with the Lancashire Constabulary. In the midst of a severe mental health breakdown, during which she tried to end her own life, she was arrested by her own colleagues in her own home.

She was then sectioned under The Mental Health Act with her parents tirelessly campaigning for her release.

Silent Approach, based on Rebecca’s book, Police To Paranoia, is the theatrical re-telling of her arrest, detainment, and her experiences at the hands of the professionals whose actions and decisions were to shape her future life and health

Content warning: Mental health struggles (paranoia, psychosis, depression), ableism, descriptions of death, suicide, depictions of violence, strong language 

(Through her Lancashire-based organisation S.I.S. Strength In Struggles, Rebecca works tirelessly to provide fee-free alternative therapies to those struggling with their mental health.)

Come all lovers of horror and the macabre! Welcome to this auction, whether you are here to bid on the lots, or just here to enjoy the misery of others. We have items of interest recovered from horrifying events each presented along with their startling provenance. Will you laugh or scream at what dumb events lead to the grisly ends?  They didn't know what's coming, but I bet you do...

“...Groves, a true raconteur, wove tales that were at times quirky, at others laced with a dry, banterous humour that tickled the funny bone even as chills ran down the spine... We, the audience, were captivated by the sheer power of his storytelling.” London Fringe Theatre Reviews

Normally known for his popular ancient Egyptian and quirky suspense storytelling shows, Kevin brings a new show dishing up his love of horror sprinkled with a little bit of surprise and dark twisted humour.

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Come all lovers of horror and the macabre! Welcome to this auction, whether you are here to bid on the lots, or just here to enjoy the misery of others. We have items of interest recovered from horrifying events each presented along with their startling provenance. Will you laugh or scream at what dumb events lead to the grisly ends?  They didn't know what's coming, but I bet you do...

“...Groves, a true raconteur, wove tales that were at times quirky, at others laced with a dry, banterous humour that tickled the funny bone even as chills ran down the spine... We, the audience, were captivated by the sheer power of his storytelling.” London Fringe Theatre Reviews

Normally known for his popular ancient Egyptian and quirky suspense storytelling shows, Kevin brings a new show dishing up his love of horror sprinkled with a little bit of surprise and dark twisted humour.

The Perils of Universal Credit is a powerful ensemble piece performed by a talented cast, bringing to life a tapestry of real stories drawn from the front-line of 21st century Britain's welfare crisis.

Written by acclaimed writer and activist Sharron Spice, this deeply human play follow a woman's relentless struggle to claim universal credit, whilst searching for work and stability. With humour, honesty and emotional impact the perils of universal credit exposes the often ignored realities of life on the margins.

A must see production that speaks for those too often silenced.

Come all lovers of horror and the macabre! Welcome to this auction, whether you are here to bid on the lots, or just here to enjoy the misery of others. We have items of interest recovered from horrifying events each presented along with their startling provenance. Will you laugh or scream at what dumb events lead to the grisly ends?  They didn't know what's coming, but I bet you do...

“...Groves, a true raconteur, wove tales that were at times quirky, at others laced with a dry, banterous humour that tickled the funny bone even as chills ran down the spine... We, the audience, were captivated by the sheer power of his storytelling.” London Fringe Theatre Reviews

Normally known for his popular ancient Egyptian and quirky suspense storytelling shows, Kevin brings a new show dishing up his love of horror sprinkled with a little bit of surprise and dark twisted humour.

Making its fourth appearance, and second at the Etcetera Theatre in Camden, Noli is the festival for short films too experimental, too daring, too ‘amateur’ or simply too long for the mainstream circuit. We want to establish an independent network of our own that values cinema and creativity, outside of the corporatised events that have come to dominate the scene. With this event, you are buying into cinema culture, which means having an atmosphere to be part of, a place to hang out, your own corner of London that works for you and you work for it (ie. you enjoy it!). Find out more: nolishortfilmfestival.wordpress.com

WHILST GRAPPLING WITH HER LIFE LONG FEAR OF THE AFTERLIFE, A COMEDIAN VISITS A MEDIUM SHE FINDS ON FACEBOOK MARKETPLACE TO FINALLY END HER PHOBIA. (SERIOUSLY.) 

THIS IS HER FIRST GIG IN A WHILE AND SHE’S READY TO TAKE YOU ON HER JOURNEY OF OTHERWORLDLY DISCOVERY AND INTRIGUE, WITH SIDE SPLITTING HONESTY.

 BUT AS THE PUNCHLINES BEGIN TO FALL APART SHE’S FORCED TO FACE THE TRUTH THAT SHE’S BEEN RUNNING FROM.

A RAZOR SHARP PIECE OF NEW WRITING, THAT INTRICATELY BLENDS COMEDY WITH SOMETHING A LITTLE DARKER, IN THIS ONE WOMAN STAND UP SET WITH A TWIST.

WHILST GRAPPLING WITH HER LIFE LONG FEAR OF THE AFTERLIFE, A COMEDIAN VISITS A MEDIUM SHE FINDS ON FACEBOOK MARKETPLACE TO FINALLY END HER PHOBIA. (SERIOUSLY.) 

THIS IS HER FIRST GIG IN A WHILE AND SHE’S READY TO TAKE YOU ON HER JOURNEY OF OTHERWORLDLY DISCOVERY AND INTRIGUE, WITH SIDE SPLITTING HONESTY.

 BUT AS THE PUNCHLINES BEGIN TO FALL APART SHE’S FORCED TO FACE THE TRUTH THAT SHE’S BEEN RUNNING FROM.

A RAZOR SHARP PIECE OF NEW WRITING, THAT INTRICATELY BLENDS COMEDY WITH SOMETHING A LITTLE DARKER, IN THIS ONE WOMAN STAND UP SET WITH A TWIST.

WHILST GRAPPLING WITH HER LIFE LONG FEAR OF THE AFTERLIFE, A COMEDIAN VISITS A MEDIUM SHE FINDS ON FACEBOOK MARKETPLACE TO FINALLY END HER PHOBIA. (SERIOUSLY.) 

THIS IS HER FIRST GIG IN A WHILE AND SHE’S READY TO TAKE YOU ON HER JOURNEY OF OTHERWORLDLY DISCOVERY AND INTRIGUE, WITH SIDE SPLITTING HONESTY.

 BUT AS THE PUNCHLINES BEGIN TO FALL APART SHE’S FORCED TO FACE THE TRUTH THAT SHE’S BEEN RUNNING FROM.

A RAZOR SHARP PIECE OF NEW WRITING, THAT INTRICATELY BLENDS COMEDY WITH SOMETHING A LITTLE DARKER, IN THIS ONE WOMAN STAND UP SET WITH A TWIST.

WHILST GRAPPLING WITH HER LIFE LONG FEAR OF THE AFTERLIFE, A COMEDIAN VISITS A MEDIUM SHE FINDS ON FACEBOOK MARKETPLACE TO FINALLY END HER PHOBIA. (SERIOUSLY.) 

THIS IS HER FIRST GIG IN A WHILE AND SHE’S READY TO TAKE YOU ON HER JOURNEY OF OTHERWORLDLY DISCOVERY AND INTRIGUE, WITH SIDE SPLITTING HONESTY.

 BUT AS THE PUNCHLINES BEGIN TO FALL APART SHE’S FORCED TO FACE THE TRUTH THAT SHE’S BEEN RUNNING FROM.

A RAZOR SHARP PIECE OF NEW WRITING, THAT INTRICATELY BLENDS COMEDY WITH SOMETHING A LITTLE DARKER, IN THIS ONE WOMAN STAND UP SET WITH A TWIST.

Camden in the 2000s. An Australian woman comes to a run-down hospital archive looking for any trace of who her mother was but the story she uncovers turns out to be a tale of deceit and deception deep in her family's past. Is she even who she thought she was? And Mel, the archivist, is faced with a terrible dilemma.

More information on the play can be found on our website here: https://boatstheatre.co.uk/paper-trail/

Camden in the 2000s. An Australian woman comes to a run-down hospital archive looking for any trace of who her mother was but the story she uncovers turns out to be a tale of deceit and deception deep in her family's past. Is she even who she thought she was? And Mel, the archivist, is faced with a terrible dilemma.

More information on the play can be found on our website here: https://boatstheatre.co.uk/paper-trail/

WHILST GRAPPLING WITH HER LIFE LONG FEAR OF THE AFTERLIFE, A COMEDIAN VISITS A MEDIUM SHE FINDS ON FACEBOOK MARKETPLACE TO FINALLY END HER PHOBIA. (SERIOUSLY.) 

THIS IS HER FIRST GIG IN A WHILE AND SHE’S READY TO TAKE YOU ON HER JOURNEY OF OTHERWORLDLY DISCOVERY AND INTRIGUE, WITH SIDE SPLITTING HONESTY.

 BUT AS THE PUNCHLINES BEGIN TO FALL APART SHE’S FORCED TO FACE THE TRUTH THAT SHE’S BEEN RUNNING FROM.

A RAZOR SHARP PIECE OF NEW WRITING, THAT INTRICATELY BLENDS COMEDY WITH SOMETHING A LITTLE DARKER, IN THIS ONE WOMAN STAND UP SET WITH A TWIST.

Something is calling to you beyond this world…

A pulsating beat rising from the earth into your body.

The louder it gets, the more you want to become a part of it, at one with it. 

You close your eyes. 

Let everything fade into this one moment. 

You have been here for far too long.

A Mother and her Daughter. A Sister and her Brother. All consumed by addiction. 

A girl stumbles into a fairy circle in search of her mother. Years after cutting contact with her addict mother, she finds her past actions coming back to haunt her as she begins to follow a similar path. Will she be able to break the cycle? A sister and brother are separated yet closer than they seem. Parted at a young age and raised as strangers, the siblings are fighting to find a way back to each other after years of neglect. Their paths take a dark turn as they find themselves trapped in Annwn. Will they be able to escape?

Set in a dark mythical underworld called Annwn, this piece explores themes of addiction through Welsh folklore and physical theatre. A raw, loud and bold piece that captures how addiction affects different relationships. This play includes flashing lights and loud noises. Themes of addiction, alcoholism, substance abuse, neglect, abuse and suicide are also present in this piece.

Join us this October at the Etcetera Theatre for A World of Wonder, an unforgettable cabaret in the heart of Camden. Prepare to be delighted by a lineup on London's most captivating artists. From daring acrobats to clumsy clowns. Every ticket sold supports Performers Without Borders, helping them bring joy and confidence to vulnerable children across the globe. It's an evening of magic, for a lifetime of change. What are you waiting for? Buy your ticket now!

This Halloween, step inside… if you dare.

Five strangers arrive at a desolate monastery, each drawn by a mysterious invitation and the promise of a life-changing ritual. But once the doors close, it becomes clear—they were never meant to leave.

As the night deepens, buried secrets rise, reality twists, and a chilling presence begins to stir. One by one, the guests are forced to confront the darkness inside them… and the even darker force they’ve unknowingly awakened.

Terrifying, thrilling, and utterly unmissable, The Summoned is a heart-pounding new horror from playwright Phoenix Benham. Set against the eerie backdrop of an ancient ruin and dripping with suspense, it’s the perfect theatrical descent into madness this Halloween season.

 Some things should never be summoned.

You will never forget what you’ve seen.

This Halloween, step inside… if you dare.

Five strangers arrive at a desolate monastery, each drawn by a mysterious invitation and the promise of a life-changing ritual. But once the doors close, it becomes clear—they were never meant to leave.

As the night deepens, buried secrets rise, reality twists, and a chilling presence begins to stir. One by one, the guests are forced to confront the darkness inside them… and the even darker force they’ve unknowingly awakened.

Terrifying, thrilling, and utterly unmissable, The Summoned is a heart-pounding new horror from playwright Phoenix Benham. Set against the eerie backdrop of an ancient ruin and dripping with suspense, it’s the perfect theatrical descent into madness this Halloween season.

 Some things should never be summoned.

You will never forget what you’ve seen.

This Halloween, step inside… if you dare.

Five strangers arrive at a desolate monastery, each drawn by a mysterious invitation and the promise of a life-changing ritual. But once the doors close, it becomes clear—they were never meant to leave.

As the night deepens, buried secrets rise, reality twists, and a chilling presence begins to stir. One by one, the guests are forced to confront the darkness inside them… and the even darker force they’ve unknowingly awakened.

Terrifying, thrilling, and utterly unmissable, The Summoned is a heart-pounding new horror from playwright Phoenix Benham. Set against the eerie backdrop of an ancient ruin and dripping with suspense, it’s the perfect theatrical descent into madness this Halloween season.

 Some things should never be summoned.

You will never forget what you’ve seen.

This Halloween, step inside… if you dare.

Five strangers arrive at a desolate monastery, each drawn by a mysterious invitation and the promise of a life-changing ritual. But once the doors close, it becomes clear—they were never meant to leave.

As the night deepens, buried secrets rise, reality twists, and a chilling presence begins to stir. One by one, the guests are forced to confront the darkness inside them… and the even darker force they’ve unknowingly awakened.

Terrifying, thrilling, and utterly unmissable, The Summoned is a heart-pounding new horror from playwright Phoenix Benham. Set against the eerie backdrop of an ancient ruin and dripping with suspense, it’s the perfect theatrical descent into madness this Halloween season.

 Some things should never be summoned.

You will never forget what you’ve seen.

This Halloween, step inside… if you dare.

Five strangers arrive at a desolate monastery, each drawn by a mysterious invitation and the promise of a life-changing ritual. But once the doors close, it becomes clear—they were never meant to leave.

As the night deepens, buried secrets rise, reality twists, and a chilling presence begins to stir. One by one, the guests are forced to confront the darkness inside them… and the even darker force they’ve unknowingly awakened.

Terrifying, thrilling, and utterly unmissable, The Summoned is a heart-pounding new horror from playwright Phoenix Benham. Set against the eerie backdrop of an ancient ruin and dripping with suspense, it’s the perfect theatrical descent into madness this Halloween season.

 Some things should never be summoned.

You will never forget what you’ve seen.

Something is calling to you beyond this world…

A pulsating beat rising from the earth into your body.

The louder it gets, the more you want to become a part of it, at one with it. 

You close your eyes. 

Let everything fade into this one moment. 

You have been here for far too long.

A Mother and her Daughter. A Sister and her Brother. All consumed by addiction. 

A girl stumbles into a fairy circle in search of her mother. Years after cutting contact with her addict mother, she finds her past actions coming back to haunt her as she begins to follow a similar path. Will she be able to break the cycle? A sister and brother are separated yet closer than they seem. Parted at a young age and raised as strangers, the siblings are fighting to find a way back to each other after years of neglect. Their paths take a dark turn as they find themselves trapped in Annwn. Will they be able to escape?

Set in a dark mythical underworld called Annwn, this piece explores themes of addiction through Welsh folklore and physical theatre. A raw, loud and bold piece that captures how addiction affects different relationships. This play includes flashing lights and loud noises. Themes of addiction, alcoholism, substance abuse, neglect, abuse and suicide are also present in this piece.

This Halloween, step inside… if you dare.

Five strangers arrive at a desolate monastery, each drawn by a mysterious invitation and the promise of a life-changing ritual. But once the doors close, it becomes clear—they were never meant to leave.

As the night deepens, buried secrets rise, reality twists, and a chilling presence begins to stir. One by one, the guests are forced to confront the darkness inside them… and the even darker force they’ve unknowingly awakened.

Terrifying, thrilling, and utterly unmissable, The Summoned is a heart-pounding new horror from playwright Phoenix Benham. Set against the eerie backdrop of an ancient ruin and dripping with suspense, it’s the perfect theatrical descent into madness this Halloween season.

 Some things should never be summoned.

You will never forget what you’ve seen.

‘Dying… Dying… Dying… Dying…’
Two men sit together on a bench in a park, discussing ducks, politics, nature and much more. They don’t know anything about ducks, but that won’t stop them from pretending that they do.
‘The Duck Variations’ explores human vulnerability and our fear of what comes after death. How far will we go to hide our insecurities from others at the expense of deeper human connection? This production poses the same questions that David Mamet’s play did in 1972, set within our highly competitive and sometimes isolating modern corporate world.
This amateur production of “The Duck Variations” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk.

‘Dying… Dying… Dying… Dying…’
Two men sit together on a bench in a park, discussing ducks, politics, nature and much more. They don’t know anything about ducks, but that won’t stop them from pretending that they do.
‘The Duck Variations’ explores human vulnerability and our fear of what comes after death. How far will we go to hide our insecurities from others at the expense of deeper human connection? This production poses the same questions that David Mamet’s play did in 1972, set within our highly competitive and sometimes isolating modern corporate world.
This amateur production of “The Duck Variations” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk.

‘Dying… Dying… Dying… Dying…’
Two men sit together on a bench in a park, discussing ducks, politics, nature and much more. They don’t know anything about ducks, but that won’t stop them from pretending that they do.
‘The Duck Variations’ explores human vulnerability and our fear of what comes after death. How far will we go to hide our insecurities from others at the expense of deeper human connection? This production poses the same questions that David Mamet’s play did in 1972, set within our highly competitive and sometimes isolating modern corporate world.
This amateur production of “The Duck Variations” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk.

Weird, withdrawn, and unloved, Fred is a young collector of butterflies. One day his eye alights on a beautiful stranger, the art student Miranda, and an obsession starts to form. So when Fred wins some money he decides to use the money to compensate for his unfair start and to get what he really wants - Miranda. If she could only get to know him she might start to love him. And so with the meticulous attention to detail of an experienced collector he calmly plans her abduction.

Weird, withdrawn, and unloved, Fred is a young collector of butterflies. One day his eye alights on a beautiful stranger, the art student Miranda, and an obsession starts to form. So when Fred wins some money he decides to use the money to compensate for his unfair start and to get what he really wants - Miranda. If she could only get to know him she might start to love him. And so with the meticulous attention to detail of an experienced collector he calmly plans her abduction.

Leilani, a lone traveller, seeks sanctuary on a distant island in the Caribbean. Things take an unexpected turn when she encounters a single enigmatic resident with a hidden motive. What begins as a fragile connection slowly becomes something darker and more consuming, pulling Leilani deeper into the unforgiving nature of the island.

An atmospheric horror-thriller, that begs the question, will she find peace, or lose herself to the unknown?

🎟️ VIDEO NASTIES 3: THREEQUEL OF THE DAMNED

1st November 2025 – Etcetera Theatre, Camden – 7pm to 10pm

They said we wouldn’t survive a sequel…
They begged us not to return…
But evil never dies—it just comes back harder, bloodier, and filthier.

Enter the THREEQUEL OF THE DAMNED — the third, unholy installment of London’s most depraved film festival. On the foulest night of the year, Video Nasties claws its way from the censor’s grave, screaming and dripping with perversion, to spew a fresh torrent of unspeakable horror, eyeball-melting gore, and flesh-soaked cinema depravity straight into your slack-jawed, popcorn-stained face.

🩸 Monstrous death scenes that'll make you lose your guts (literally)
🧠 Mind-warping stories that should've stayed buried
🍑 Nudity so gratuitous it practically peels off the screen
🤢 Films banned not just by governments, but by good taste itself.

This is not a safe space. This is not a polite film night — it’s a ritual of ruin, a celebration of the banned, the broken, and the beyond-the-pale. If you’re squeamish, prudish, or possess a soul… stay home.

This is your one-way ticket to celluloid damnation.

🎟️ SNATCH YOUR TICKETS before the censors find us.
Because after this… there may not be a fourth.

Weird, withdrawn, and unloved, Fred is a young collector of butterflies. One day his eye alights on a beautiful stranger, the art student Miranda, and an obsession starts to form. So when Fred wins some money he decides to use the money to compensate for his unfair start and to get what he really wants - Miranda. If she could only get to know him she might start to love him. And so with the meticulous attention to detail of an experienced collector he calmly plans her abduction.

Step into the avant-garde realm of cinematic innovation at éphémère ~ London experimental film. We invite you to witness the ephemeral beauty of experimental cinema, where each frame is a brushstroke of creativity and every moment a fleeting masterpiece.

🌟 What to Expect:

Dive into a world where boundaries are shattered, and the ordinary transforms into the extraordinary. éphémère is not just a festival; it's an immersive experience that challenges perceptions, explores the surreal, and celebrates the boundless possibilities of experimental film.

🎬 Film as Art:

Discover films that redefine the language of cinema, pushing the boundaries of visual storytelling. From abstract narratives to avant-garde techniques, each screening promises a journey into uncharted cinematic territories.

📽️ Showcasing Emerging Talent:

éphémère is a platform for emerging filmmakers to shine. Be among the first to witness the visionary works of experimental artists pushing the limits of storytelling, visuals, and sound.

Join us for a cinematic odyssey where time is fleeting, art is eternal, and the experimental is celebrated. éphémère ~ London experimental film is more than an event; it's an ephemeral spectacle waiting to unfold.

When plague hits the village of Bottomswort, Gunther has no choice but to leave. The last thing he expected was a Vampire named Vladd.

Be transported to the medieval village of Bottomswort where a vicious plague is racking its residents and a spate of mysterious disappearances have left the town on tenterhooks. With the arrival of the castle-loving, ‘red-wine’-drinking, sunshine-hating Vladd of Vladestan, murmurs of Vampire haunting the land start to fill the air. Gunther, with simplicity as his shield and stupidity as his sword, is quick to put himself in harm’s way.

In this love letter to sketch shows of the past, the Fool’s Flock present a tale full of gothic wonder. Blending puppetry, slapstick and poor decisions, the team are all playing to their strengths in this interactive comedy.

'In picture-perfect suburbia, where a community of housewives fiercely rules the town and appearances are everything, 'the wilders'; a young, lavish couple with a deadly secret, seem to have it all.
But when one of them starts having second thoughts about their most... unconventional hobby, their once perfectly balanced marriage begins to spiral into chaos.
As tensions rise and nosy neighbors start to notice, the Wilders must navigate love, betrayal, loyalty, and a whirlwind of unexpected surprises.'

'In picture-perfect suburbia, where a community of housewives fiercely rules the town and appearances are everything, 'the wilders'; a young, lavish couple with a deadly secret, seem to have it all.
But when one of them starts having second thoughts about their most... unconventional hobby, their once perfectly balanced marriage begins to spiral into chaos.
As tensions rise and nosy neighbors start to notice, the Wilders must navigate love, betrayal, loyalty, and a whirlwind of unexpected surprises.'

iFlash: Anatomy Not Found.exe
by London Butoh Dance Company (Posthuman Theatre)

A body dissolves into data. Memory becomes code. Identity glitches in the void.

iFlash: Anatomy Not Found.exe is the second part of London Butoh Dance Company’s posthuman trilogy, a visceral exploration of disembodiment, digital decay, and the search for wholeness in a collapsing virtual world.

Inspired by Butoh’s radical physicality and the philosophies of posthumanism and transhumanism, the work merges dance, theatre, sound, and projection into an unstable landscape of corrupted anatomy and fractured selves. Performers embody posthuman figures haunted by artificial longing, moving through glitches, delays, and distortions as the stage pulses with digital heartbeats and immersive sonic glitches.

Where the trilogy’s first part, Of Mirrors and Shadows (2024), exposed the human body’s emotional fractures, iFlash shatters that body entirely—casting it into a liminal space where flesh is obsolete and only fragments remain.

Immigrant-led and internationally rooted, London Butoh Dance Company brings diverse voices into an aesthetic that transcends language and borders, creating performance that is raw, unclassifiable, and intensely human—even in its dissolution.

iFlash: Anatomy Not Found.exe invites audiences into a world of beautiful malfunctions and overcorrection, where broken systems reveal unexpected pathways to transformation.

Wreck the halls and laugh your heart out this holiday season with B*tches in Stitches, the all-femme stand-up comedy group that's been taking the world by storm!

🎤 Expect a killer lineup of diverse femme comics serving up punchlines hotter than mulled wine, plus feminist Christmas carols that’ll have you singing (and snorting) along. 🎶

🎁 We’ve even got cheeky prizes from our sponsors to stuff your stockings early – because Santa’s not the only one delivering surprises this year.
Come for the laughs, stay for the solidarity, and let’s sleigh this festive season together.

 “We accept the love we think we deserve.”- Stephen Chbosky, The Perks of Being a Wallflower

The Love We Think We Deserve is a bold, thought-provoking show about people living with Borderline Personality Disorder, how they experience the world and the struggles they face. Around 1 one a 100 people live with BPD, yet it is one of the most stigmatized mental health conditions. Online searches will reinforce harmful stereotypes and the majority of articles advise you how to “spot borderlines” – and avoid them. Rosie Cappuccino writes in her book, ‘Talking About BPD’: “A couple of clicks reveal widespread derogatory attitudes towards the condition […] YouTube videos […] warn that people with BPD are […] impossible to connect with and incapable of love. […] for many people the risks of being deemed untrustworthy, incapable or even dangerous can be too high. […] Many people […] feel safer disclosing anything but BPD.” With this play, I aim to give an insight into what living with BPD feels like and contribute to breaking down the stigma, bit by bit.

“I am not the other. I am one of you. Speak about me as if I were in the room- because I am.”

 “We accept the love we think we deserve.”- Stephen Chbosky, The Perks of Being a Wallflower

The Love We Think We Deserve is a bold, thought-provoking show about people living with Borderline Personality Disorder, how they experience the world and the struggles they face. Around 1 one a 100 people live with BPD, yet it is one of the most stigmatized mental health conditions. Online searches will reinforce harmful stereotypes and the majority of articles advise you how to “spot borderlines” – and avoid them. Rosie Cappuccino writes in her book, ‘Talking About BPD’: “A couple of clicks reveal widespread derogatory attitudes towards the condition […] YouTube videos […] warn that people with BPD are […] impossible to connect with and incapable of love. […] for many people the risks of being deemed untrustworthy, incapable or even dangerous can be too high. […] Many people […] feel safer disclosing anything but BPD.” With this play, I aim to give an insight into what living with BPD feels like and contribute to breaking down the stigma, bit by bit.

“I am not the other. I am one of you. Speak about me as if I were in the room- because I am.”

 “We accept the love we think we deserve.”- Stephen Chbosky, The Perks of Being a Wallflower

The Love We Think We Deserve is a bold, thought-provoking show about people living with Borderline Personality Disorder, how they experience the world and the struggles they face. Around 1 one a 100 people live with BPD, yet it is one of the most stigmatized mental health conditions. Online searches will reinforce harmful stereotypes and the majority of articles advise you how to “spot borderlines” – and avoid them. Rosie Cappuccino writes in her book, ‘Talking About BPD’: “A couple of clicks reveal widespread derogatory attitudes towards the condition […] YouTube videos […] warn that people with BPD are […] impossible to connect with and incapable of love. […] for many people the risks of being deemed untrustworthy, incapable or even dangerous can be too high. […] Many people […] feel safer disclosing anything but BPD.” With this play, I aim to give an insight into what living with BPD feels like and contribute to breaking down the stigma, bit by bit.

“I am not the other. I am one of you. Speak about me as if I were in the room- because I am.”

Greg Turini - ELEMENTS